Category Archives: Art and Design

Portrait of the young woman: the artwork of Mai Thu and Philippe Noyer

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Philippe Noyer and Mai Thu composite. Pénéla. 1968.

“What is lighter than a feather?

Dust.

Lighter than dust?

The wind.

Lighter than the wind?

A woman.

Lighter than a woman?

Nothing.” 

Pénéla Présente Mai-Thu painter Vietamese. Photos Denis Manceaux. Penela No16. 1968.

Mai Thu (1906-1980) was a Vietnamese-French artist who made numerous studies depicting the young woman in her daily life and at ease in her surroundings. Philippe Noyer (1917-1985) was a French artist who also made numerous studies depicting the young woman in her daily life and at ease in her surroundings.

Confident, relaxed, serene, one with their environment – almost to the point of being in a dreamlike state, perhaps even bored at times – the young women in both artists’ studies occupy their places in nature and social environments with the fleeting presence of youth, captured in immortality by the tools of the artists.

Mai Thu and Noyer worked in the same time period throughout the 20th century. Both were French-connected and intrigued by the study of the young woman. TVTA is pleased to present their two differing styles, courtesy of scans from 1968 editions of Pénéla Magazine, with text by Françoise Louviot and photos by Denis Manceaux.

Pénéla Présente Mai-Thu painter Vietamese. Photos Denis Manceaux. Penela No16 1968.

The young girls are already women. Philippe Noyer article par Françoise Louviot. Penela No18. 1968.

Pénéla Présente Mai-Thu painter Vietamese. Photos Denis Manceaux. Penela No16. 1968.

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Rodin’s Garden, Rodin’s Window, and Rodin’s… erm… Lego?

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Auguste Rodin. Le Penseur. The Thinker. Paris. 2022.

Last August, during a stay in Paris, I spent the day at the Rodin Museum. The museum was opened in 1919 as a dedicated space to display the works of French sculptor Auguste Rodin – famous for his works such as Le Penseur (The Thinker), Le Baiser (The Kiss) and La Porte de l’Enfer (The Gates of Hell). The museum consists of the Hotel Biron which Rodin used as his workshop from 1908, along with extensive gardens where many of his sculptures are placed in a natural environment.

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Subvertising: If you’re gonna look, then look again…

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Art by Matt Bonner

Art by Lindsay Grime

Art by Michelle Tylicki

What is subvertising? Broadly, it is the art of making spoof advertisements from corporate and political actors with the aim of making the public think of the damage caused by those actors. The term was coined in 1991 by the cultural critic Mark Dery, and is a portmanteau of the words subvert and advertising.

Subvertising can take place physically on our high streets, with billboards hi-jacked to give an alternative message. They can also appear digitally as memes and spoof political slogans.

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Paris 22: The World of Banksy – the immersive experience

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I’ll let the images speak for themselves, other than to say what better chance to see a ‘collected works’ of the artist Bansky than this immersive experiece exhibition, which I attended in Montmartre, Paris this August.

Kudos to the design team in replicating Banksy’s art with a degree of atmosphere… the moody lighting, the props of litter, abandoned spray cans, flowers and candles, the sound of sirens and helicopters – just as if you were strolling along some dark street or alley and came across his work by chance.

Enjoy 😀

Banksy. A wall is a very big weapon…

Banksy. Mobile phone lovers.

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Paris 22: The Spiral Staircase of 59 Rivoli

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On my recent stay in Paris I visited 59 rue de Rivoli – a contemporary art gallery and studios unlike anything you might see in Paris. I took photos of the impressive six-story spiral staircase – la cage d’escalier – adorned with work from some of its resident artists. Just like the art on the facade of the building does, the staircase art changes periodically to reflect the creativity of the artists associated with this vibrant and special building.

History:

59 Rivoli’s history can be traced back to November 1999 when three artists – Kalex, Gaspard and Bruno (collectively called the KGB), along with other artists broke open the cemented-over door of the state-abandoned 59 rue de Rivoli in the centre of Paris, with the intention of turning the premises into a creative workplace for artists.

Once inside, the group took over as squatters and called themselves “Chez Robert, Electron Libre.” They opened the premises to the public, organising shows,  performances and concerts, while facing eviction orders from the French state scheduled for early as the following year. Intervention by the collective’s lawyer, Florence Diffre, earned them an eviction delay of six months, while the press became interested in the phenomenon of to “squart” – a contraction of ‘squat’ and ‘art’. The media interest was such that the French state didn’t pursue the eviction matter for several years, though, for the collective, the threat of eviction still hung over the rooftop of N°59 like a swirling cloud ready to unleash its storm. 

Image: Facade of 59 Rivoli in 2006

Then along came a political ally…  Bertrand Delanoë was the then candidate for the mayor of Paris, and during his campaign Delanoë visited the squat and fell in love with what the collective was doing, promising to legalise the premises if he were elected mayor. Following his electoral success, Delanoë kept to his word and made 59 rue de Rivoli a protected site for artists. Merci, monsieur le Mayor!

Today, the building and its collective is called 59 Rivoli and remains open to the public. It has 30 artist studios, exhibition and performance space, and welcomes tens of thousands of visitors each year, claiming its spot of one of the three most visited sites of contemporary art in Paris.

Information adapted from the official site: History and life of the place – 59 Rivoli

My photographs of the spectacular six-story spiral staircase, going down…

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Final Trailer – The Remains of She by Ford and Spira

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Greetings vintage mates!

Want to know more? Check out my sister site The Atomic Mage next Tuesday, June 1st!

Best,

Ford

The Remains of She.

“A journey to a childhood castle in search of ancient artefacts, healing and renewal; and a love story about to unfold which has travelled across the centuries.”

A Translation + Draig Tân + Project #2 update!

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Poetry…

I’ve written more of it than I can remember, and have been fortunate to have had some of it published. But I can honestly say I’ve never had a poem translated into another language – until recently.

The images you see are unique artworks by my good friend and collaborator Spira who translated into the Hellenic language the poem part of our 2020 collaboration when we marked the 2500th anniversary of the battles of Thermopylae and Salamis which took place in 480 BC during the Greco-Persian Wars.

The poem is entitled The Breaking of Bread and you can read it in its original English language version here along with its companion sculpture in the Spira/Ford collaboration project #1.

It is an honour and a treat to see my work translated, and for it to be done in such an artistic way is a treasure to behold .

Draig Tân (Welsh Fire)

In 2018 my eldest cousin and I, armed with ancient family photos and documents, and a subscription to a well-known online ancestry site, made some research on our family tree. We already knew about the paternal side – all from England, Birmingham, Peaky Blinders land, ay! But we knew little of the maternal side other than links to Shropshire and Worcestershire, and the intriguing but unproven link that our Great Grandparents came from Wales – thanks to elder family members remembering something about a ‘Welsh connection’.

Well, it came as exciting news when my cousin and I learnt from the documents we supplied that our maternal Great Grandparents and the lines before them came from Powys in Wales. Finally the dots had been joined. Welsh blood ran through us! Get in there you red dragon and up the Manics!

Then… 

Back to Spira, who I told of this news, and who made a sculpture not only in celebration of our collaborations, but with a nifty ‘red dragon’ nod to my new Welshiness.

Draig Tân (Welsh Fire) by Spira.

The sculpture is called Draig Tân (translated to Welsh Fire). Please check the rest of the images here

My thanks to Spira, a Wizard of our age, and the finest person I could wish to collaborate with  😎

The Remains of She

And talking of collaborations… what news of Project #2 coming later this year?

I can tell you that the sculpture parts I’ve seen so far are both haunting and beautiful. Ancient anachronistic awesomeness awaits! I can tell you that the recent writing parts I made are organically pushing me to incredible boundaries and beyond.  

There will be more Welsh fire. Hellenic spells. The Wizard and the Shaman will give precious gifts to the one who will bring renewal to the Earth. Look to the skies. The spring. A resurrection. Friends, in these dark times there will be a light to save us all.

Project #2. The Remains of She. Exclusive extract

The Remains of She. Coming in 2021!